In a difficult market, the agencies that win won’t necessarily be the ones producing the best-looking work. They’ll be the ones who demonstrate they understand their clients’ business pains and gains.

They don’t sell design; they sell business performance.

There’s no doubt it’s a challenging time for design studios. Clients are watching their budgets, projects are taking longer to approve and there’s more competition for the work that is available. We’re not saying anything you don’t know.

So what’s the answer

In a tight market you look at your peers and competitors before you look at the potential clients.

What we are seeing is more email campaigns by agencies wanting new clients or work. The agencies have also stepped up their LinkedIn posts detailing the latest award win or new project. Some are doing thought leadership pieces but most not. Then you have the increased use of Instagram.

Consider this from the intended recipients viewpoint. They are being swamped to the point they take no notice. We are hearing of a few wins but the % is so low it proves it’s a gamble.

Most Australian agencies need very few clients

Think about it. For every full time designer you need about 20 x $10k jobs per year or you need one client who spends about $200k per year on your services or two @ $100k.

That defines the number of people you need to pitch and the regularity of your pitching. If you are mainly jobbing you need a constant turnover of projects. If you are working with clients who give ongoing work you need far fewer. The answer is to find clients not jobs.

Finding those clients is easier than convincing them to give you the work. It needs targeted communications; indepth understanding of each business, the people in it and the problems they face. This calls for a small number of contiguous comms pieces delivered directly to the prospect outside of their socials or inbox

When peers go digital you go analogue

It’s called direct marketing; using targeted, designed pieces delivered by hand to the prospect. These demonstrate your understanding of their business pains and gains and how you have solved these for other clients.

That’s not easy, otherwise everyone would do it. We have seen it work in the current market. Would love to tell you exactly what and how but we have NDA’s in place.

So here’s the real challenge. How are you going to use your research, scoping, strategy and design skills to do this. Treat it as the most important project you have and give it the full treatment.

As always, happy to discuss further, just email.

Greg Branson

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The Design Business Review is Australia’s only online design management magazine. It’s professional development information written specifically for Australian designers by Australian designers. Best of all, it’s free.

Greg Branson

Most business consultants come from a finance background. That’s where I differ. My background is firmly in the creative space. I have degrees in photography and education and my extra-curricula love is a dark room, analogue photography and vintage cameras – a money pit if ever there was.

That’s why my interest in the business of design. Carol and I loved running a design studio but were adamant it was a commercial business and our energies should be well-rewarded. I started research into working smarter not harder early in my career.

Since then I’ve sat with hundreds of Australian creative business owners and discussed what’s working and what’s not. I understand the practicalities of a studio, and have empathy for the challenges but I know good profit margins are attainable.

Always happy to chat, I can be contacted here.

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