Times are tough. Clients are looking for ways to cut costs. In this climate, pricing is one of the hardest conversations designers have with clients.
When times get tough, brand investment is often one of the first things questioned. The client’s assumption is simple: if we stop spending on branding, marketing or communications for a while, nothing much will change.
The evidence suggests otherwise.
Researchers at the Ehrenberg-Bass Institute for Marketing Science at Adelaide University tracked 41 brands that stopped investing in brand advertising for a year or more.
The results were sobering.
Sales declined by an average of 16% in the first year.
By the second year, the decline had reached 25%.
By the third year, sales were down 36%.
For designers, this creates an important opportunity to shift the conversation. Instead of discussing the cost of a brand project, discuss the cost of doing nothing.ost, gives them a range to react to, and starts the budget conversation from expertise, not guesswork.Here’s what we’ve learned from over a decade mentoring Australian designers
Questions to ask your client
Ask clients:
“If you stopped investing in your brand for 18 months, what would happen to your ability to attract new customers?”
“What would happen to your ability to justify our pricing?”
“What would happen to awareness, trust and preference in the market?”
“If we apply the the Ehrenberg-Bass Institute findings where would your sales be in year one, two and three.”
These are business questions, not design questions. They take a data driven approach.
As Kathryn McArthur, Consumer & Shopper Insights Manager at Colgate-Palmolive, observed:
Having data-driven marketing principles is like turning on a light in a darkened room. A lot of the furniture isn’t where you imagined it, but now the arrangement makes considerably more sense..
Design is not a discretionary spend
The reality is, strong brands help organisations maintain visibility, build memory structures, create trust and support pricing power. When investment stops, those advantages gradually erode. Competitors continue to invest, customers forget, and acquisition becomes harder and more expensive.
This is why design should not be positioned as a discretionary expense. It is an investment in future demand.
The next time a client focuses on the cost of design, help them consider the alternative.
The real question is not: “Can we afford to invest in our brand?”
It is: “What will it cost us if we don’t?”
As always, happy to discuss further, just email Greg
Greg Branson
Want more insights like this? Subscribe below. (And tell your friends )
The Design Business Review is Australia’s only online design management magazine.
It’s professional development information written specifically for Australian designers by Australian designers. Best of all, it’s free.
The industry isn't finished with designers. It's changing what it needs from them.
And perhaps the biggest risk isn't AI replacing designers. It's designers standing still while the industry moves on.
To be sustainable, businesses need maintenance because, like gardens, because they are continually growing and changing.
In a difficult market, the agencies that win won’t necessarily be the ones producing the best-looking work.
Life can get very complicated for founders. Grab a calculator and give me 20 minutes and you’ll reveal if your studio has a profit leak and what to do about it.
Designers earning the majority of their salary ‘on-the-tools’ need a change. They have a problem because now anyone can now do what previously only they could.
You quote the same fee and deliverables and one client signs without blinking. Another baulks and asks you to “revisit the numbers.” What changed is the framing, not the price.
Hiring ‘junior’ designers was previously based on proficiency. That’s increasingly irrelevant but hiring them is more important than ever. Here’s why…
Every design project creates impact, whether the designer or client chooses to recognise it or not. The challenge is to understand what that impact might be.
Don’t wait for a ‘planning’ or ‘strategy’ day to do some analysis. Snatch 60 minutes and tackle on of these tasks… you’ll be amazed what you can achieve.
New research confirms what many designers know: the old ways of working aren’t cutting it anymore. Let’s look at what’s changing and what successful studios are doing about it.
You know the thing most client’s are worried about when commissioning design? That the result will flop and they’ll be embarrassed in front of their colleagues because they backed a loser.
While others dwell on the changes disrupting the design industry, you focus on the things you can change. Introduce a toolkit that helps manage costing, pricing and profit.
You know the thing most client’s are worried about when commissioning design? That the result will flop and they’ll be embarrassed in front of their colleagues because they backed a loser.
As marketing becomes more strategic, design agency clients will need agencies that can help them make better decisions, not simply produce more content. This article discusses 4 ways creative businesses can help clients.
It’s happening everywhere – clients are refusing to meet, they’re requesting designers ‘just send a PDF’. That may be a problem for some, but not everyone.
If you’re newer to this or working solo, take some comfort: you are not alone.
Sometimes there’s no trick. A client just says no.
For the past two years, the Design Business Council has been researching how AI is changing the commercial landscape for design businesses. We’ve spoken with agency owners, analysed business models, examined pricing strategies, and explored how AI is reshaping the way clients buy design